An invitation to dream across epochs, Sa Ra Sachs’ Blond Lagoon captures a fractured landscape of art resolutely fashioned. Including a short essay by Francesca Astesani that meets Sachs’ imagery in a warp of the surreal—“where a kaleidoscope of possible narratives is sketched and never allowed to ripen, moved by waves of longing that dissolve on the shore before shaping things in the form of their lust”—the artist’s book is a document of performance in stages, a rehearsal for paradise or the abyss.